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| The clearer the goal, the better you lead your story to victory. |
As with all things that need to be simple - it isn't about dumbing it down, but instead about finding the core. As screenwriters, we know all about that. Writing out an idea, a story, a script, is one thing. But concentrating it all into one crisp synopsis, a hammer one-pager, a killer logline or a never-to-be-forgotten tagline (e.g. "In space, no one can hear you scream), is often far tougher. But we also know that, once we have it, it's hugely useful.
Commanders have two questions they need to answer: "If we do nothing else during tomorrow's mission, we must ..." and "The single, most important thing that we must do tomorrow is ..." Example: The Commander's Intent might be: "The single, most important thing that we must do tomorrow is to keep the villagers safe." In battle, regardless of whether an individual plan has exploded - every soldier will remember that one sentence "keep the villagers safe" - and even if he has to abandon his planned orders, his every action will remain in line with that overarching Commander's Intent. So how's all this supposed to help you?
- In meetings: Have your CI (you may also call it essence, theme, core, key message) clear before you meet the director, the producer, the agent. Then, whatever curves they throw you, you'll have the CI to hold on to.
- During collaboration: If your CI is clear, communicate it with the producer, with the director, with the actors. Regardless of what happens in the heat of cinematic collaboration - if the CI's clear - you'll still all be going for the same goal.
- In the cave: When you sit in the cave, staring at the blinking cursor - find your CI, write it across your bathroom mirror - or tape it to the wall above the monitor.
